Patrons under the age of 18 years may attend accompanied by a parent or legal guardian with a valid ticket. Stalls – General Admission Standing – Limited Unreserved SeatingĪDULTS ONLY LICENSED EVENT (THIS IS NOT AN ALL AGES EVENT) Tickets for these Australian dates are selling fast at ASTOR THEATRE – CONCERT MODE: Tash has kicked of 2017 by playing Laneway Festival and landing two songs in triple j’s hottest 100 including radio hit ‘Jungle’ coming in at #3. The Unearthed artist of the year has had a whirlwind 12 months that’s shot her into orbit exploding onto the scene earning respect for her next level guitar playing, unique original sound and angelic voice.
Fuelled by a new- found sense of freedom, an unmatched excitement for the year ahead and a hypnotic new album, we spoke to Tash Sultana.After selling out theatres all over the World months in advance and blowing away record festival audiences, TASH SULTANA is returning to Australian shores to play a handful of select headline shows. “I’ve spent all fucking day programming shit, and this is pretty much the first time I’ve been outside today, so I’m doing great,” they continue. “This is such a polite voice that you’ve got on, have such an endearing-sounding accent,” Tash jokes.
When I catch up with Tash Sultana over Zoom on a nondescript Monday morning, separated by time zones and closed borders, an unwavering positivity is radiated through the screen. From the nuanced “Sweet & Dandy” and expansive “Greed” to the ethereal “Beyond The Pine” and nocturnal “Willow Tree,” Sultana charms us with slinky observations of the world we live in, while allowing us to connect with our rawest selves. “Pretty Lady” launched the record in April, an “old busking track that would whip out in 2014.” Yet Sultana assures me the rest of album is comprised of newer tracks, naturally influenced by the events of the past year. Spiritually, the 14 tracks find the artist reconnecting with their roots, acting as a reminder of the physical and emotional delicacy of humanity. ‘Terra Firma’, or ‘solid earth’ in Latin, is a lush, complex and psychedelic record inspired by the need to slow down and re-ground.
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But what you might not expect from the head-slamming, bare-footed and utterly captivating performer is that this came as a welcomed break: “I needed it,” Tash tells us, “I needed to learn how to slow the fuck down.” Instead, they spent 200 consecutive days in their studio, writing and recording and re-writing for what would eventually become ‘Terra Firma’. Countless nights and countless shows were halted in an abrupt heartbeat on what was supposed to be the final leg of their Flow State tour.
Like every touring artist, Sultana watched their 2020 tour schedule crumble. Looping the sounds of more than fifteen instruments, Sultana has composed, arranged, performed, engineered and produced almost every note of their music, creating rapturous sounds that are the fruits of their mind and their fingers and nothing else. This dichotomy is encapsulated in their songs, which can feel both intimate and enormous. Whether through the confines of YouTube’s viewing box or on stages to crowds of thousands, Tash Sultana’s energy can silence a room, delivering otherworldly and spirited performances that are at once meditative and wildly loose. Today, that recording has 93 million views. With humble beginnings on side streets of downtown Melbourne and tucked away in corners of Bourke Street Mall, Tash Sultana journeyed through the web of the internet in a dizzying year of black-and-white bedroom recordings and uploads before bursting onto the scene in 2016 with a clip performing “Jungle,” alone and unadorned in the front room.
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